Symphony & Opera
Atlanta Symphony Orchestra delivers powerful performance under Denève, Hadelich shines in Britten concerto
“The Anonymous Lover” proves a comic treat from a rediscovered composer
Stutzmann leads a disappointing “St. Matthew Passion,” not up to ASO standards
Stage director Maria Todaro discusses Joseph Bologne’s “The Anonymous Lover”
ASO’s “Bach & Friends” stitches a patchwork of music from three Baroque masters
Sibelius spotlighted in Stephen Mulligan’s return to the ASO podium
Atlanta Symphony Orchestra announces 2023-24 classical subscription season
Despite a capable cast, The Atlanta Opera’s “Candide” is not the best of all possible versions
.png){kind=logo}