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The American South’s voice for Classical Music
· Mark Gresham, publisher & principal writer ·

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Thursday, 27 August 2026
in Atlanta, Georgia - USA
"Originality is not the absence of influence, but the courage to transform it." ~Pablo Picasso

Symphony & Opera

Wotan (Greer Grimsley) and his wife Fricka (Elizabeth DeShong) prepare to cross the rainbow bridge to Valhalla in The Atlanta Opera's production of "Das Rheingod.".(credit Ken Howard)

The Atlanta Opera’s visually stunning “Das Rheingold” feels modern yet timeless

Mark Gresham · May 4, 2023
l-r: ABO soloists Evan Few, Anna Marsh, and Adam Jaffe. Background: first page of composer's manuscript, Antonio Vivaldi's "Sinfonia for Strings in D major, RV 125." (portraits: courtesy of ABO; manuscript: IMSLP)

Atlanta Baroque Orchestra celebrates virtuosity with concerti of Bach and Vivaldi

Jon Ciliberto · May 2, 2023
Guest conductor Michael Francis. (credit: Raftermen)

Atlanta Symphony Orchestra & Chorus take listeners on allegorical journeys beyond human boundaries

Mark Gresham · April 29, 2023

Bass-baritone Greer Grimsley will portray Wotan in The Atlanta Opera's production of "Das Rheingold." (UIA Talent Agency)

Behind the scenes with Greer Grimsley, King of the Gods in The Atlanta Opera’s “Das Rheingold”

Melinda Bargreen · April 24, 2023
Violinist Daniel Lozakovich solos in Mendelssohn's "Violin Concerto" with teh Atlanta Symphony Orchestra led by music director Nathalie Stutzmann. (credit: Rand Lines)

Beethoven’s Sixth surprises under Stutzmann, violinist Lozakovich makes impressive ASO debut

Mark Gresham · April 21, 2023
Guest conductor Stéphane Denève leads the Atlanta Symphony Orchestra, with violinist Augustin Hadelich as soloist in Benjamin Britten's "Violin Concerto."(credit: Rand Lines)

Atlanta Symphony Orchestra delivers powerful performance under Denève, Hadelich shines in Britten concerto

Mark Gresham · April 14, 2023

Maria Valdes as Léontine, front-center, with Indra Thomas as Dorothée immediately behind her, surrounded by chorus members. (credit: Raftermen)

“The Anonymous Lover” proves a comic treat from a rediscovered composer

William Ford · April 3, 2023
The Atlanta Symphony Orchestra & Chorus, soloists, and the Spivey Hall Children's Choir, performing Bach's "St. Matthew Passion" in Symphony Hall, Nathalie Stutzmann conducting. (credit: Rand Lines)

Stutzmann leads a disappointing “St. Matthew Passion,” not up to ASO standards

Mark Gresham · April 1, 2023
Maria Todaro, stage director of "The Anonymous Lover."

Stage director Maria Todaro discusses Joseph Bologne’s “The Anonymous Lover”

Melinda Bargreen · March 27, 2023

Music director Nathalie Stutzmann leads the ASO's "Bach and Friends" concert. (credit: Rand Lines)

ASO’s “Bach & Friends” stitches a patchwork of music from three Baroque masters

Mark Gresham · March 24, 2023

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