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The American South’s voice for Classical Music
· Mark Gresham, publisher & principal writer ·

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Friday, 28 August 2026
in Atlanta, Georgia - USA
"True restraint is knowing the music you could play, yet choosing silence." ~Leonard Bernstein

Symphony & Opera

ASO principal guest conductor Doinald Runnicles. (credit: Simon Pauly)

Review: Runnicles leads Atlanta Symphony in a colorful French excursion

Mark Gresham · May 24, 2019
Conductor Arthur Fagen in rehearsal at Jacobs School of Music, Indiana University-Bloomington. (source: IU/JSM)

CD review: Music of David Diamond, orchestras of Indiana University

Karl Henning · May 20, 2019
Stephanie Blythe in recital. (Lincon Center)

Stephanie Blythe wants you to sing along

Mark Gresham · May 16, 2019

Brothers Mark and Paul Yancich are soloists for James Oliverio's DYNASTY: Double Timpani Concerto with the Atlanta Symphony Orchestra. (credit: Jeff Roffman)

Review: Atlanta Symphony reprises two commissioned works for new CD

Mark Gresham · May 10, 2019
The Lied Center stage.

Road trip: Four reviews from Nebraska

William Ford · May 8, 2019
Thomas Hampson and Luca Pisaroni as the old and young Lorenzo Da Ponte. (credit: Lynn Lane)

Report: The Phoenix, a world premiere by Houston Grand Opera

Mark Buller · May 6, 2019

Guest conductor Lionel Bringuier. (credit: Jeff Roffman)

Review: ASO marks a modernist path with music of Prokofiev, Ravel and Stravinsky

Mark Gresham · May 3, 2019
Mario Chang as Alfredo and Zuzana Marková as Violetta in La traviata. (credit Nunnally Rawson)

Review: Atlanta Opera closes season in grand style with Verdi’s La traviata

Mark Gresham · April 29, 2019
Cellist Sheku Kanneh-Mason performs Elgar's Cello Concerto with the Atlanta Symphony Orchestra and guest conductor Carlos Kalmar. (photo: Jeff Roffman)

Review: Sheku Kanneh-Mason gets lyrical in Elgar’s Cello Concerto

Mark Gresham · April 26, 2019

Arthur Fagen, conducts a performance by The Atlanta Opera. (photo: Jeff Roffman)

Q&A: Arthur Fagen discusses The Atlanta Opera’s La Traviata

Mark Gresham · April 24, 2019

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