Author Archives: Mark Gresham
César Franck bicentennial celebrated with a pair of his best-known works
Stutzmann’s debut as ASO music director accentuates voices and relationships, but a problematic Beethoven Ninth
EARPIECE #14: Georgian Chamber Players play music of Haydn, Smetana, and Brahms
Stage director Daisy Evans discusses The Atlanta Opera’s “Bluebeard’s Castle”
Joshua Bell and Peter Dugan launch Spivey Hall season with Schubert, Beethoven, Bloch, and Ravel
EARPIECE #13: ASO plays Mahler’s 3rd Symphony
“Timber” inspires collaboration between Bent Frequency and Chamber Cartel
“A Standing Witness” poetically probes a half century of American history
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