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The American South’s voice for Classical Music
· Mark Gresham, publisher & principal writer ·

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Juraj Valčuha (jurajvalcuha.com)

Valčuha and Houston Symphony craft a riveting soundscape from modern operas

Lawrence Wheeler · February 18, 2025
Savannah Philharmonic & Chorus (credit: Christopher Hill)

Savannah Philharmonic raises the roof with ‘Symphonic Spirit’ concert

Christopher Hill · February 17, 2025
Vasily Petrenko (credit: Mark_McNulty)

Petrenko leads Atlanta Symphony Orchestra and Chorus in a powerful performance of Sibelius and Walton

Mark Gresham · February 15, 2025
Howard Wershil reviews a concert of artist-composer collaborations by ensemble vim: https://www.earrelevant.net/2025/02/spark-initiative-by-ensemble-vim-yields-bold-evocative-collaborations/

‘SPARK!’ initiative by ensemble vim yields bold, evocative collaborations

Howard Wershil · February 14, 2025
l-r: James Zellers, Emily daggett Smith, Elizabeth Koch Tiscione, and Stuart Stephenson are the concertino in Johann Sebastian Bach's 'Brandenburg Concerto No. 2 in Emory Chamber Music Society of Atlanta's 2025 "Bach Bowl."(credit: Mark Gresham)

Emory’s ‘Bach Bowl’ scores a winning drive before the big game

Mark Gresham · February 12, 2025
A note-worthy debut: Greg Murphy (center), a board member who doesn’t play violin, gets a quick lesson to help the Spartanburg Philharmonic musicians with Purcell’s ‘Fantasia Upon One Note.’ Facing him is concertmaster Joanna Mulfinger, who led the orchestra. (courtesy of Spartanburg Philharmonic)

Spartanburg Philharmonic’s Espresso Series brews up a tasty Baroque treat

Paul Hyde · February 11, 2025
Orpheus (Hugh Cutting) must lead Eurydice (Madison Leonard) out of the Underworld without looking at her, much to her dismay, the The Dallas Opera's production of Gluck's 'Orpheus and Eurydice.' (credit: Kyle Flubacker)

Dallas Opera’s ‘Orpheus and Eurydice’ reframes the myth through the lens of memory and loss

Gregory Sullivan Isaacs · February 10, 2025
Delayana Lazarova conductor (credit: Marco Borggreve)

Delyana Lazarova and ROCO deliver courageous premieres and a Beethoven ‘Seventh’ of rare brilliance

Lawrence Wheeler · February 10, 2025
Juraj Valčuha (jurajvalcuha.com)

Valčuha ignites Houston Symphony in a thrilling Italian operatic showcase

Lawrence Wheeler · February 8, 2025
Violetta Valéry, sung by Venera Gimadieva, stands among the chorus of dinner guests in Francesca Zambello’s production of Verdi’s “La Traviata” in a 2018 performance at Washington National Opera, 2018. (credit: Scott Suchman)

Twilight and transformation: The Atlanta Opera unveils an ambitious 2025-26 season

Mark Gresham · February 7, 2025

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