How one Georgia parent, Sibelius’ granddaughter, and modern technology brought a neglected work back into the spotlight
Ching-Ching Yap & Ginny Fairchild | 13 APR 2023
In the classical music world, the great composers’ works are catalogued, copyrighted, studied, debated, and generally analyzed down to the last blot of ink on the page. Sometimes, however, a manuscript falls by the wayside—gets pushed to the back of a drawer or lost in a box during a move. Or, perhaps, circumstances and timing allow a great work to simply fade from memory. This is the story of how one such abandoned work is receiving its revival right here in Georgia, as told by Dr. Ching-Ching Yap:

Jean Sibelius, circa 1898-1900 (Wikimedia)
Since elementary school, my children have been playing together in a string quartet. In 2022, when my oldest, a violist, left for University of Georgia, my son invited a pianist to join the ensemble. Named the Varro Quartet, it is a rather unique ensemble of two violins, cello, and piano. While searching online for music available to this configuration of players, we stumbled upon a recording—the only recording—of the Piano Quartet, JS 157, written by Jean Sibelius. The sheet music, however, was nowhere to be found.
After coming up empty-handed in my internet searches, I reached out to the website SibeliusOne.com, a non-profit organization formed to advance, improve, develop and maintain public education in appreciation of the life and work of Jean Sibelius. Within a few hours, I received a response from Andrew Barnett, their General Manager, who informed me I must request written consent from Sibelius’ granddaughter, Aino Porra, as she handles all matters of permission for the estate. Once consent was given, he said, I could then order photocopies of the manuscript from the National Library of Finland.
Petri kindly explained that their library has the manuscript but no mechanism to receive international payment except through the interlibrary loan process. I contacted my local library but was informed they do not have the ability to request international interlibrary loans. Still undeterred, I contacted a friend, who requested the manuscript through her university library system. After a long waiting period, I tried Petri again to see if the National Library of Finland had received the university loan request. They had not. At this point, I decided to throw in the towel.
The very next day, however, I received a surprise email from Petri containing a PDF of the manuscript and a note explaining how my persistence in this matter had moved her to scan and send the manuscript directly to me at a cost of about $45. I was thrilled and immediately printed out the three attached files. To date, I have not received an invoice from the National Library of Finland.
So, again I found myself back on the internet to track down the four quartet members. The first violinist, Jaakko Kuusisto, passed away in February 2022. The second violinist, Satu Vänskä, plays with the Australian Chamber Orchestra in Sydney. The cellist, Taneli Turunen, lives in Berlin. The pianist Folke Grasbeck is still in Finland, and to my relief his contact information was readily available. After waiting a week for Grasbeck to return from the vacation (apparently, the Finns like to enjoy the summer countryside without computers), he finally replied with a digital copy of the whole piece, the version they used for their 2005 recording. Success! The Varro Quartet could now play the piece.
So we finally come to today, when the Varro Quartet (violinists Didi Stone and Lucas Nyman, cellist Richard Wang, and pianist Erin Li) is putting the final touches on JS 157 before its official American premiere. As longtime participants of Franklin Pond Chamber Music, a year-round chamber music program for middle and high school students, the quartet has been rehearsing and coaching all school year with Franklin Pond’s faculty from the Atlanta Symphony and Atlanta Opera orchestras. With its grand expressions typical of Sibelius’ later works and singable melodies, we have all—students, parents, and coaches—enjoyed getting to know this piece, and we are proud to introduce it to American audiences for the very first time.
Audiences can hear the Varro Quartet perform the premier of Jean Sibelius’ Piano Quartet, JS 157, on April 30th at 3 pm as part of Franklin Pond Chamber Music’s Fall Into Spring finale concert. The performance will take place at the Rich Auditorium on the campus of the Woodruff Arts Center. A professional recording of their performance will be posted on Franklin Pond’s YouTube channel following the concert. ■
For more information about JS 157, visit SibeliusOne.com. For more information on the Varro Quartet and Franklin Pond Chamber Music, visit franklinpond.org.
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