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The American South’s voice for Classical Music
· Mark Gresham, publisher & principal writer ·

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Violinist Augustin Hadelich.. (video frame / ASO)

Review: Hadelich plays brilliantly, Hou leads the ASO in marvelous performance

Giorgio Koukl · May 21, 2021
Elisabeth Remy Johnson (credit Lydia Leclair)

CD Review: Harpist Elisabeth Remy Johnson champions women composers in “Quest”

Melinda Bargreen · May 20, 2021
A economy-sized Rhapsody in Blue for piano and string quintet. (credit: Julia Dokter)

Review: Atlanta Chamber Players close season performing lively music to a live audience

Mark Gresham · May 18, 2021
Julie Couceron performs Mendelssohn's Piano Concerto No 1, with the ASO led by guest conductor Peter Oundjian (video frame: ASO)

Review: Julie Coucheron makes ASO debut with Mendelssohn concerto, Oundjian conducts

Mark Gresham · May 14, 2021
Concert for Unity

Review: Concert for Unity delivers a powerful, focused program celebrating African-American artists

Mark Gresham · May 11, 2021

Review: Pavel Haas Quartet, pianist Boris Giltburg perform Smetana, Brahms

Giorgio Koukl · May 10, 2021
l-r: Pianist William Ransom with members of the Vega String Quartet: violinist Jessica Shuang Wu, cellist Guang Wang and violist Yinzi Kong. (video frame, ECMSA/SCPA)

Review: Emory Chamber Music Society of Atlanta closes season with robust Brahms quartet

Mark Gresham · May 8, 2021
Robert Spano leads the ASO in the opening concert of its 75th anniversary season. (credit: Rafterman Photography)

Atlanta Symphony Orchestra announces 2021/22 season, return to live concerts in Symphony Hall

Mark Gresham · May 6, 2021
The cast of Imagine Broadway sings their grand finale, "There's No Business Like Show Business." (credit Felipe Barral / The Atlanta Opera)

Matinee concerts afford opera singers a venue for vernacular song

Mark Gresham · May 4, 2021
Robert Spano leads the Atlanta Symphony Orchestra in the Serenade No. 2 by Johannes Brahms. (video frame/ASO)

Review: Atlanta Symphony Orchestra performs Brahms’ Violin Concerto with Robert McDuffie

Mark Gresham · April 30, 2021

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