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The American South’s voice for Classical Music
· Mark Gresham, publisher & principal writer ·

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Pianist Michelle Cann. (credit: Steven Mareazi Willis)

Michelle Cann’s “Revival” CD explores piano gems of Price and Bonds

Giorgio Koukl · May 8, 2023
Sono Luminus DSL-92267

Iceland Symphony Orchestra’s “Atmospheriques” CD evokes unconventional sonic landscapes

Giorgio Koukl · May 1, 2023
Dimitri Mitropoulos, 1937.

Comprehensive collection reveals the depths of Dimitri Mitropoulos’ versatility

Karl Henning · April 11, 2023
Soprano Carolyn Sampson and harpsichordist Mahan Esfahani (credits: Marco Borggreve / Kaja Smith); inset: Johann Sebastian Bach by E. G. Haussmann, 1748.

Esfahani and Sampson revel in the “Hausmusik” delights of Bach’s Notebooks for Anna Magdalena

Giorgio Koukl · April 10, 2023
Beethoven, reimagined in a “Silver Age” comic book style. (Midjourney AI / prompt: Mark Gresham)wn by AI in a "Silver Age" comic book style at the author's request. (Midjourney/Lux Nova Press)

Southern Fried Beethoven: an AI take on the Fifth Symphony

Mark Gresham · April 5, 2023
Conductor David Robertson and pianist Orli Shaham with the Finnish Radio Symphony Orchestra, performing John Adams' "Why must the devil have all the good tunes?" (FRSO)

Finnish Radio Symphony Orchestra sparkles in intriguing concert with Robertson, Shaham

Giorgio Koukl · February 2, 2023
Leif Ove Andsnes (credit: Helge Hansen)

Q&A: A conversation with pianist Leif Ove Andsnes

Mark Gresham · January 25, 2023
The sanctuary of 175-year-old First Presbyterian Church of Atlanta and its Klais/Schlueter organ, IV/112. (credit: Julia Dokter)

Earpiece #25: Jens Korndörfer plays the Klais/Schlueter organ, First Presbyterian Church of Atlanta

Mark Gresham · January 19, 2023
Clarion Choir, Steven Fox, director.

Clarion Choir’s “All-night Vigil” limited by ensemble size, but has moments of beauty

Giorgio Koukl · January 18, 2023
Bassoonist Andrew Brady (credit: Jeff Roffman)

News Briefs: January 12, 2023

EarRelevant Staff · January 12, 2023

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