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The American South’s voice for Classical Music
· Mark Gresham, publisher & principal writer ·

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Nathalie Stutzmann conducts the Atlanta Symphony Orchestra, November 2, 2023. (credit: Rand Lines)

Atlanta Symphony Orchestra announces Brahms-focused 2026–27 Delta Classical season

EarRelevant Staff · April 3, 2026
Karim Al-Zand (alzand.com)

Houston’s Kinetic Ensemble brings the immigrant experience to the fore with Al-Zand’s ‘The Strangers’ Case’

Sherry Cheng · March 31, 2026
Pianist Gabriela Montero (ChatGPT image)

Contrast, continuity, and control drive Gabriela Montero’s ‘Westward’ program at Spivey Hall

William Ford · March 30, 2026
Pavel Haas Quartet (credit: Robert Tichý)

Pavel Haas Quartet shapes persuasive narrative arc in Schubert and Beethoven at Spivey Hall

Mark Gresham · March 26, 2026
Grammy Award-winning pianist Yuja Wang will perform at Emory University's Schwartz Center for Performing Arts in Atlanta on March 17, 2027as part of the Candler Concert Series. (credit: Julia Wesely)

Emory’s Schwartz Center announces 2026-2027 Candler Concert Series

EarRelevant Staff · March 26, 2026
Pianist Anne-Marie McDermott, conductor Carlos Miguel Prieto, and the North Carolina Symphony take a bow following their performance of Beethoven’s ‘Piano Concerto No. 5’. (courtesy of NCS)

North Carolina Symphony raises the bar in Bartók, finds revelation in Beethoven ‘Emperor’

Christopher Hill · March 24, 2026
Backstage at Georgia State University’s Kopleff Recital Hall (Sept. 17, 2025): Henry Cheng with the GSU Symphony Orchestra during Giuliana Scaramazza’s first concert as concertmaster.

From islands to ecosystems: why orchestras must build pathways for young artists

admin · March 23, 2026
Canadian-Italian soprano Aviva Fortunata in the role of Leonora, with tenor Victor Starsky as Manrico in Sarasota Opera’s production of ‘Il trovatore.’ (courtesy of Sarasota Opera)

Sarasota Opera’s ‘Il trovatore’ shines amid jam-packed winter festival

Kurt Loft · March 20, 2026
Johann Sebastian Bach in 1746

Under Stutzmann, Atlanta Symphony’s ‘B-minor Mass’ falls short of its promotional promises

Mark Gresham · March 18, 2026
Luke Sutliff as Count Almaviva, center, with Sydney Mancasola as Susanna on his lap. Rihab Chaieb as Cherubino is in the back. (credit: Raftermen)

Atlanta Opera delivers wit, lyricism, and resilience in ‘The Marriage of Figaro’

Mark Gresham · March 17, 2026

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