LATEST POST
YOUR TIME & LOCATION:
SEARCH POSTS:
RECENT ARTICLES & REVIEWS
Johns Creek Symphony Orchestra explores silence, memory, and renewal in immersive ‘What We Carry’ • 16 Apr 2026
Itzhak Perlman reflects on a life in music in multimedia evening at Emory’s Schwartz Center • 10 Apr 2026
MORE ARTICLES & REVIEWS
Houston’s Kinetic Ensemble brings the immigrant experience to the fore with Al-Zand’s ‘The Strangers’ Case’ • 31 Mar 2026
Contrast, continuity, and control drive Gabriela Montero’s ‘Westward’ program at Spivey Hall • 30 Mar 2026
Pavel Haas Quartet shapes persuasive narrative arc in Schubert and Beethoven at Spivey Hall • 26 Mar 2026
Alexander Malofeev reshapes Spivey Hall recital with Prokofiev anchoring Scandinavian and Russian works • 25 Mar 2026
North Carolina Symphony raises the bar in Bartók, finds revelation in Beethoven ‘Emperor’ • 24 Mar 2026
EarRelevant is Atlanta’s leading source for classical and post-classical music journalism.
Founding Publisher & Principal Writer
Photo credit: Stephanie Anderson
Founder, publisher, and principal writer Mark Gresham (b. 1956) has over 35 years of experience writing about classical and post-classical music and other arts. In 2003, Gresham received an ASCAP/Deems Taylor Award for music journalism. A composer, conductor, and journalist, he co-founded the monthly publication Chorus! in 1989 and edited it through 1995. Thirteen of his interviews from the magazine were published in 1997 as a book, Choral Conversations. Before founding EarRelevant, he was a contributing writer for Creative Loafing from 2002 to 2011 and then for ArtsATL until mid-February 2019. He has also written for NewMusicBox, American Record Guide, OPERA Magazine (UK), Where Atlanta/Georgia Traveler, among others.
.png){kind=logo}