LATEST POST
YOUR TIME & LOCATION:
SEARCH POSTS:
RECENT ARTICLES & REVIEWS
Miles Electric Band launches Atlanta Jazz Festival with high-voltage Miles Davis tribute at Symphony Hall • 18 May 2026
Valčuha and Houston Symphony pair ‘The Elements’ with Wagner and Strauss in vivid program featuring Joshua Bell • 14 May 2026MORE ARTICLES & REVIEWS
Spano guides Atlanta Symphony in tracing an American arc with soloists Hough and O’Connor • 06 May 2026
Atlanta Opera marks ‘Turandot’ centenary with a staging that reshapes the opera’s core • 29 Apr 2026
Beethoven’s ‘Archduke’ finds poise; Franck’s Quintet grows overpressured in Fabian Series at Spivey Hall • 25 Apr 2026
Atlanta Baroque Orchestra maps Baroque music’s functions across civic, courtly, and sacred spheres • 21 Apr 2026
A love song for Tampa Bay: Opera Tampa at 30 • 20 Apr 2026
Jordan balances drama and discipline in Berlioz’ ‘Symphonie fantastique’ with Atlanta Symphony Orchestra • 17 Apr 2026
EarRelevant is Atlanta’s leading source for classical and post-classical music journalism.
Founding Publisher & Principal Writer

Photo credit: Stephanie Anderson
Founder, publisher, and principal writer Mark Gresham (b. 1956) has over 35 years of experience writing about classical and post-classical music and other arts. In 2003, Gresham received an ASCAP/Deems Taylor Award for music journalism. A composer, conductor, and journalist, he co-founded the monthly publication Chorus! in 1989 and edited it through 1995. Thirteen of his interviews from the magazine were published in 1997 as a book, Choral Conversations. Before founding EarRelevant, he was a contributing writer for Creative Loafing from 2002 to 2011 and then for ArtsATL until mid-February 2019. He has also written for NewMusicBox, American Record Guide, OPERA Magazine (UK), Where Atlanta/Georgia Traveler, among others.















.png)