LATEST POST
YOUR TIME & LOCATION:
SEARCH POSTS:
RECENT ARTICLES & REVIEWS
MORE ARTICLES & REVIEWS
Babayan and Treviño illuminate Rachmaninoff’s Fourth Piano Concerto with Atlanta Symphony • 24 Feb 2026
Prieto leads North Carolina Symphony in masterly ‘Daphnis et Chloé’; Gluzman shines in Tchaikovsky concerto • 24 Feb 2026
Kenney’s gripping Gubaidulina anchors Valčuha’s “Doomed Lovers” program with Houston Symphony • 23 Feb 2026
Neave Trio’s ‘In Her Hands’ explores Clara Schumann, Chaminade and Pejačević with poise • 19 Feb 2026
Grammy-winning duo Karen Slack and Michelle Cann deliver a moving tribute to Florence Price at Spivey Hall • 18 Feb 2026
Abrams leads Atlanta Symphony in wide-ranging American showcase, from Shaw to Bernstein • 16 Feb 2026
EarRelevant is Atlanta’s leading source for classical and post-classical music journalism.
Founding Publisher & Principal Writer
Photo credit: Stephanie Anderson
Founder, publisher, and principal writer Mark Gresham (b. 1956) has over 35 years of experience writing about classical and post-classical music and other arts. In 2003, Gresham received an ASCAP/Deems Taylor Award for music journalism. A composer, conductor, and journalist, he co-founded the monthly publication Chorus! in 1989 and edited it through 1995. Thirteen of his interviews from the magazine were published in 1997 as a book, Choral Conversations. Before founding EarRelevant, he was a contributing writer for Creative Loafing from 2002 to 2011 and then for ArtsATL until mid-February 2019. He has also written for NewMusicBox, American Record Guide, OPERA Magazine (UK), Where Atlanta/Georgia Traveler, among others.
.png){kind=logo}