LATEST POST
YOUR TIME & LOCATION:
SEARCH POSTS:
RECENT ARTICLES & REVIEWS
Prieto leads North Carolina Symphony in masterly ‘Daphnis et Chloé’; Gluzman shines in Tchaikovsky concerto • 24 Feb 2026
Neave Trio’s ‘In Her Hands’ explores Clara Schumann, Chaminade and Pejačević with poise • 19 Feb 2026MORE ARTICLES & REVIEWS
Abrams leads Atlanta Symphony in wide-ranging American showcase, from Shaw to Bernstein • 16 Feb 2026
McAllister and Prieto lead stunning performance of Adams’ ‘Saxophone Concerto’ with North Carolina Symphony • 12 Feb 2026
Atlanta Chamber Players mark 50th anniversary with Casarrubios world premiere and chamber classics • 11 Feb 2026
Michele Allegro wins Garth Newel International Composition Competition; ‘Rush’ to premiere in July • 10 Feb 2026
Bent Frequency premieres five works at SoundNOW, from GSU students to Kyle Rivera’s theatrical ‘Grimoire II: Mauravi’ • 10 Feb 2026
A shining ‘Silent Night’ at Houston Grand Opera • 05 Feb 2026
EarRelevant is Atlanta’s leading source for classical and post-classical music journalism.
Founding Publisher & Principal Writer

Photo credit: Stephanie Anderson
Founder, publisher, and principal writer Mark Gresham (b. 1956) has over 35 years of experience writing about classical and post-classical music and other arts. In 2003, Gresham received an ASCAP/Deems Taylor Award for music journalism. A composer, conductor, and journalist, he co-founded the monthly publication Chorus! in 1989 and edited it through 1995. Thirteen of his interviews from the magazine were published in 1997 as a book, Choral Conversations. Before founding EarRelevant, he was a contributing writer for Creative Loafing from 2002 to 2011 and then for ArtsATL until mid-February 2019. He has also written for NewMusicBox, American Record Guide, OPERA Magazine (UK), Where Atlanta/Georgia Traveler, among others.















.png)